Show me something I can be
Play a song that I can sing
Make me feel as I am free
Someone come speak for me-  "Speak for Me" John Mayer

Now if I were to say let's pull some songs together from the sixties and seventies, we'd have no problem. Stevie Wonder, Curtis Mayfield, Marvin Gaye, The Staples Singers, Nina Simone and many others "spoke for us".  They gave us a soundtrack for our frustrations and cries for freedom, peace and justice during a very tumultuous time in our country.  And it didn't just stop with their music. Many of them used their platforms to speak out against injustice and to unify people to bring about change.  But if you look at then and fast forward to now?

Now they're celebrating broken things
I don't want a world of broken things
You can tell that something isn't right
When all your heroes are in black and white-"Speak for Me" John Mayer

Make no mistake, I am not picking on these artists of today.  Promising to be socially responsible is not a criteria when it comes to signing a recording contract no more than the guarantee that one is mentally stable.  I can't imagine putting the pressure on some of the most popular artists today to suddenly become socially conscious.  I don't even think that some of their record labels would allow it.  Besides, after witnessing some of the things that they can get arenas of people to repeat and co-sign that aren't exactly socially responsible to begin with, I honestly don't think it would be fair. We have indeed become a society that celebrates broken things.  So contrary to what you may think I was getting at with my challenge, my point was not that today's artists need to change.  My point is music has become less and less about music and more and more about amusement.  What necessarily has caused this imbalance in our music?  I don't have all of the answers but what I do have is a theory that may reveal a part of the problem.

Besides producing socially conscious music that has stood the test of time as well as using their platform to bring about social change, there is one more thing that Marvin Gaye, Stevie Wonder, Nina Simone, The Staples Singers and Curtis Mayfield have in common: they all started in the church.

In a recent Time article, Questlove was quoted as saying something that up until I read him say it, I thought I was the only one that saw a correlation:

"...I don’t think it’s a mistake that a lot of of my favorite artists are coming from Down Under. A lot of them more soulful than what we’re dealing with now. When you think soul music and Aretha Franklin and the Baptist-born singer, that’s sort of an idea in the past. As black people, we’re really not in the church as we used to be, and that’s reflected in the songs now."

He's right. Black people, particularly young black people, are not in the church like they used to be and we need to ask ourselves why.   How can generations carry on the traditions of those that started out in church when they aren't even there? 

"Sing a new song, can we just sing a new song? Somewhere along the way we got it wrong..." Mali Music "One"

As I mentioned, one of the songs that we came up with during the challenge is "One" by Mali Music.  He along with many others have gone through so much criticism for going mainstream; a fight that seems so illogical to me in 2014.  Thankfully he has gotten past that criticism and has forged ahead to put out a very important, non-compromising album.  But what about those that could never get past the criticism? Those that have either let their talent stay and wither inside the four walls of the church or that have left the church altogether?  What about them? Could they be our missing voices?  

Is the church to blame for shutting up the mouthpieces that we desperately need to speak to and for our culture? 

Yes it completely and undoubtedly is.

The way the church, and not just the black church but the church as a whole, has grossly mishandled the musical talents and gifts of its members is a shame and a sin rooted in both fear and elitism.  It's across the board. I've heard too many stories about mainstream artists who are Christians that are criticized for what they do but no one minds them sending their tithe check in off of what it is that they do; too many stories about artists who have gotten preferential treatment because of what they do and have been pressured to be in the spotlight in their churches all the while their personal lives were falling apart with little to no recognition from pastoral leadership.  I've seen church musicians frustrated and completely resent the church and leave never to trust the church again while the pastors were too busy worrying about where they will find a replacement before Sunday than that person's soul.  The Church needs to repent for how we have treated our "Davids" and our "Asaphs".  It was never the intent of God to keep His children and their gifts within four walls.  If you truly believe in the word of God, if you believe that "where the spirit of the Lord is there is liberty," don't just let but SEND with your blessing outside the four walls of your church those with the Spirit that brings about liberty to convey that in their songs so that they can impact our culture. Who else to sing about love than those who believe in and walk in Love?  Who else to talk about the issues of life than those that have been given abundant life?

"Won't you help me sing these songs of freedom..." Bob Marley "Redemption Song"

It's time to wake all the way up, Church.  I am pleading with those in leadership to please acknowledge the fault and take the lead.  We've got to call our prodigal sons and daughters back and tell them that we were wrong. That the very gifts that we cursed or exploited were ones that could have been used to speak life at this very moment when our culture needs them the most.  We've got to train, equip, affirm, and intercede for those that have been called to mainstream music.  We must because here's the thing: so much of the resistance from the church that musicians have faced when it comes to going mainstream is rooted in fear; fear that the industry will be too tempting and too much for them to take to the point that they will compromise their faith.  And it is all of those things... when you have to do it alone.  They shouldn't have to do it alone. We need to stand with them.

So where have our songs gone? They've gone with the very ones we've shut out and shut down.  It's time to invite them back in.  We need them now more than ever before.


                                                           

If you feel that someone is not in alignment biblically, the most ugly and ungodly thing for a pastor to do is to attack them from the pulpit. I've noticed two kinds of evil at play when it comes to how some pastors treat people in the entertainment industry: those who degrade entertainers from the pulpit with little regard for their souls and spiritual well being and those who show favoritism when it comes to entertainers with little regard for their souls and spiritual well being.